Shot number
|
Time
|
What happens
|
Shot type
|
Location
|
1
|
00.00- 00.07
|
Nature show shown on a small, old TV. The room is dark and run down.
|
Mid-shot
|
Living room
|
2
|
00.08 – 00.18
|
Camera pans across from the tv screen, past a ripped photo of him and his girlfriend on the floor, along the floor and slowly across his body, starting at his foot. The shot end on the Pink Floyd –The Wall influenced close up of face and hand.
|
Pan to Close Up
|
Living room
|
3
|
00.19 – 00.26
|
The character smokes the joint and exhales the smoke.
|
Extreme Close Up on mouth
|
Living room
|
4
|
00.27-00.29
|
Shot influenced my James McAvoy in Filth. Shows the character holding a joint in one hand and a glass of whiskey in the other
|
Mid Shot
|
Living room
|
5
|
00.30-00.37
|
A close up on the characters hand as he drops his glass of whiskey and the glass smashes in slow motion.
|
Close Up
|
Living room
|
6
|
00.38-00.41
|
The camera focuses on the eye as the pupil dilates.
|
Extreme Close Up
|
Living room
|
7
|
00.42- 00.49
|
Graphic match to the plug hole in the bath. The tub begins to fill with water.
|
Mid-shot
|
Bathroom
|
8
|
00.50-00.55
|
Mid shot on back of calves as the character drop his underwear.
|
Mid-shot
|
Bathroom
|
9
|
00.56- 01.01
|
Close up on the feet stepping in the bath. (go pro)
|
Close up
|
Bathroom
|
10
|
01.02 – 01.04
|
Shot from side of bath (Water Level) showing character laying down in water.
|
Mid-shot
|
Bathroom
|
11
|
01.05-01.10
|
Birds eye view shot of character putting head under water. Eyes still open when underwater.
|
B.E.V, mid shot
|
Bathroom
|
12
|
01.11- 01.14
|
Point of view shot from character under water, drowning. (looking up at ceiling) exposure gets brighter.
|
p.o.v
|
Bathroom
|
13
|
01.15-01.16
|
White Out of Screen
|
N/A
|
Bathroom
|
14
|
01.17- 01.28
|
Medium-long shot from doorway looking onto bath tub. Uses two layers to allow out of body experience to look realistic.
|
Medium-long shot
|
Bathroom
|
15
|
01.29- 01.40
|
Birds eye view on character rising above green screen
|
B.E.V
|
bathroom
|
16
|
01.41- 01.46
|
Mid shot of the character crawling along the ceiling (trainspotting influence)
|
Mid shot
|
bathroom
|
17
|
01.47- 01.53
|
mid shot below the character crawling (trainspotting influence)
|
Mid shot
|
Bathroom
|
18
|
01.54- 01.56
|
Blurred transition
|
N/A
| |
19
|
01.57- 01.58
|
Character falls on to bed.
|
Birds eye view
|
Bedroom
|
20
|
01.59- 02.01
|
Close up on character opening eyes
|
Close up
|
bedroom
|
21
|
02.02- 2.05
|
Character puts t-shirt on. Shot from Dexter
|
Close up
|
Bedroom
|
22
|
02.06- 02.08
|
mid shot on pulling t-shirt down
|
Mid shot
|
Bedroom
|
23
|
02.09- 02.11
|
Over shoulder shot of character looking at clock.
|
Mid shot
|
Bedroom
|
24
|
02.12- 02.17
|
p.o.v of character looking at clock and cut to the beat and his girlfriends face appears in the clock face. Cutting back to normal on the each beat. Clock face screaming.
|
Close up
|
bedroom
|
25
|
02.18- 02.20
|
Characters face looking away from clock in distress
|
Close up
|
Bedroom
|
26
|
02.21- 02.23
|
Close up on characters hand picking up lighter and joint off desk
|
Close up
|
Bedroom
|
27
|
02.24- 02.26
|
Match on action to Close up on character face trying to light joint. Face turns shocked.
|
Close up
|
Bedroom
|
28
|
02.27- 02.29
|
Close up on lighter covered in maggots
|
Close up
|
Bedroom
|
29
|
02.30-02.31
|
Match on action shot of lighter being thrown on to the floor but no maggots.
|
Close up
|
Bedroom
|
30
|
02.32- 02.33
|
Over shoulder shot of character looking into mirror.
|
Mid-shot
|
Bedroom
|
31
|
02.34- 02.36
|
Close up on character rubbing face with hands. (filth influence)
|
Close up
|
Bedroom
|
32
|
02.37 – 02.38
|
Over shoulder shot of character looking into mirror with little brother appearing behind him
|
Over Shoulder Shot
|
Bedroom
|
33
|
02.39 – 02.42
|
Shot starts of camera looking at back of head and character turning round.
|
Medium Close-Up
|
Bedroom
|
34
|
02.43- 02.45
|
mid shot of boy in rabbit mask
|
Mid-Shot
|
Bedroom
|
35
|
02.46- 02.48
|
Filth influence – character screams
|
Close-Up
|
Bedroom
|
36
|
02.49- 02.52
|
Camera pans from ground of field, character runs past
|
Medium Long Shot
|
Field
|
37
|
02.53- 02.55
|
Camera pans along beside character
|
mid shot
|
Field
|
38
|
02.56- 03.00
|
Over shoulder shot of character still running, you can see the girl in the distance.
|
mid shot
|
Field
|
39
|
03.01 – 03.04
|
Medium long shot from beside character as he arrives at fence.
|
Medium long shot
|
Field
|
40
|
03.05- 03.07
|
Close up of little brother going and holding girlfriends hand (no emotion)
|
Medium Close-Up
|
Field
|
41
|
03.08-03.10
|
Mid shot of character falling to knees, fades to black out
|
Mid-Shot
|
Field
|
42
|
03.11-03.13
|
p.o.v of character looking up to see he is in his younger brothers bedroom
|
p.o.v
|
Brothers room
|
43
|
03.14-03.16
|
Long shot from doorway of room, behind character as he stands up and walks towards bed
|
Long shot
|
Brothers room
|
44
|
03.17- 03.19
|
Match on action as character picks up toy rabbit off bed
|
Close-Up
|
Brothers room
|
45
|
03.20-03.21
|
Close up on characters face as he smiles slightly
|
Close up
|
Brothers room
|
46
|
03.22- 03.32
|
Mid shot from side of bed as character lays down with rabbit. His head and the top of the rabbits head can be seen in the shot. The character grieves. Behind him appears his younger brother and girlfriend, but he does not see them. As he closes his eyes the shot blacks out. (Pull focus on this shot)
|
Mid-Shot
|
Brothers room
|
47
|
03.33- 03.38
|
Character walks along beach, long slow take of shot, shows disorientation of the character
|
Extreme Long Shot
|
Beach
|
48
|
3.39 – 3.44
|
Different angle shot of character walking along beach, sharper focus on camera, closer to subject to show it is becoming more real
|
Long Shot
|
Beach
|
49
|
3.45 – 3.49
|
Character turns towards sea, walks towards camera perspective, walks past camera
|
Medium Long Shot
|
Beach
|
50
|
3.50 – 3.57
|
Camer on floor, character walks past it almost dreamlike in water, we see character going further and further in, water goes up to characters waist screen begins to blur
|
Medium Long Shot
Shot from Floor
|
Beach
|
51
|
03.58 – 04.01
|
Character falls back into his own body again. (using two layers)
|
Medium long shot
|
bathroom
|
52
|
04.02 – 04.03
|
Girlfriends hand puts key in front door and turns
|
Corridor
| |
53
|
04.04- 04.06
|
Mid shot above character gasping for breath
|
Mid shot
|
Bathroom
|
54
|
04.07- 04.13
|
Shot from outside of bathroom doorway, watches his girlfriend run in and grab him, hugging him.
|
Medium-Long shot
|
Hallway looking onto bathroom
|
Conclusion
The Shot list is one of the most important tasks as it is essential to have on the day of the shoot. It allows us to know exactly how to film each shot and for what length of time we are to film it for. Also through the construction of the shotlist we see the problems with timing that we would have not otherwise addressed. we realised when creating our shotlist that we did not have enough planned footage to fill our song so whilst creating the shotlist we added in more shots so that the video was complete and fitted to the song fully.
No comments:
Post a Comment